We’re going to attempt to offer a quick look at the major varieties of guitar effects pedals. Within part 1 we’ll cover the fundamentals.
We all know that there are one million internet sites offering insight to this topic, nonetheless its been our experience that they’re published by engineers, not musicians… they read like microwave manuals instead of a helpful resource… Anyway… off we go.
I can’t really milk greater than a few lines out of this topic. It’s pretty cut and dry- a lift pedal will give your signal a volume boost – or cut, for the way you’ve got it set. Most boost pedals serve as a master volume control allowing you a fairly wide range of use.
Why do I need a lift pedal? To take your guitar volume up over all of those other band during the solo, to operate a vehicle your amp harder by feeding it a hotter signal, to have a set volume change at the press of the mouse.
When most guitarists discuss overdrive, they can be referring to the smooth ‘distortion’ made by their tube amps when driven to begin breaking up. Overdrive pedals are made to either replicate this tone (with limited success) or drive a tube amp into overdrive, creating those screaming tubes beyond the things they normally would be able to do without wall shaking volume.
Why do I needed an overdrive pedal? Overdrive pedals bring an increase pedal- so you get those inherent benefits, you’ll find some good added girth to the tone through the distortion created by the pedal. Most overdrive pedals have tone control giving you wider tone shaping possibilities.
Based on our above definition of overdrive, distortion is the place where overdrive leaves off. Within the rock guitar world think Van Halen and beyond to get a clear demonstration of distorted guitar tone. Distortion pedals often emulate high gain amps that create thick walls of sound small tube amps usually are not able to creating. If you’re fortunate enough to use a large Marshall, Mesa Boogie, Diezel or another monster amplifier to generate your distortion you possibly will not want a distortion pedal. But for the remainder of us mere mortals, electric guitar effects pedal are crucial to modern guitar tone.
Why do I would like a distortion pedal? You would like to be relevant don’t you? Despite having large amps, like those stated previously, distortion pedals play a key role in modern music. They provide flexibility that boosts and overdrives cannot rival.
God bless Ike Turner as well as the Kinks. Both acts achieved their landmark tones through the use of abused speaker cabinets. Ike dropped his in the street walking straight into Sun Records to record Rocket 88, the Kinks cut their speakers with knives or more the legends already have it. No matter how they got it, their tone changed the globe. Some refer to it as distortion, some refer to it as fuzz, however, seeing the progression from the damaged speakers on the fuzz boxes created to emulate those tones, I feel its safest to call what Turner and Davies created/came across was fuzz.
Exactly why do I would like a fuzz pedal? Ya like Hendrix, don’t ya? In every honesty, the fuzz pedal is seeing resurgence in popular music today. Bands like Nine Inch Nails, Marilyn Manson, Muse and the White Stripes rely heavily on classic designs on recent releases.
The task of your compressor is to deliver a much volume output. It will make the soft parts louder, and also the loud parts softer. Current country music guitar tone is driven through compression.
Why do you require a compressor? Improved sustain, increased clarity during low volume playing.
The earliest “flanger” effects were made in the studio by playing 2 tape decks, both playing the same sounds, while an engineer would decelerate or speed up the playback of one of several dupe signals. This is the way you could produce wooshing jet streams. The advantage of your old school tape reels is referred to as the flange.
Why do I would like a flanger? A flanger will offer a fresh color to your tonal palette. You can deal with out one, but you’ll never get several of the nuance coloring in the Van Halen’s, Pink Floyd’s, or Rush’s around the world.
The phase shifter bridges the space between Flanger and Chorus. Early phasers were intended to recreate the spinning speaker of your Leslie. Phase shifting’s over use could be heard everywhere in the first couple of Van Halen albums.
Why do I want a phase shifter? See Flangers answer.
Chorus pedals split your signal in 2, modulates one of those by slowing it down and detuning it, then mixes it back in with the original signal. The effect is supposed to sound dexspky30 several guitarists playing the exact same thing at the same time, producing a wide swelling sound, having said that i don’t listen to it. One does get a thicker more lush tone, but it doesn’t sound like a chorus of players for me.
Why do I need a chorus? Because Andy Summers uses one, and Paul Raven says so… that needs to be adequate.
As a kid, would you ever play with the quantity knob in the TV or maybe the radio manically turning it up and down? Yeah? Well you had been a tremolo effect.
Why do I want a tremolo pedal? 6 words for ya: The Smiths ‘How Soon Is Now’
A delay pedal generates a copy of the incoming signal and slightly time-delays its replay. You can use it to create a “slap back” (single repetition) or perhaps an echo (multiple repetitions) effect. Who amongst us can’t appreciate The Edges usage of electric guitar effects pedal delay throughout U2s career?
So why do I want a delay pedal? See Flangers answer.
A variable band-pass frequency filter… Screw everything that- do you know what a wah wah is… its po-rn music! It’s Hendrix! It’s Hammett. It’s Wylde. It’s Slash.